Frank Lloyd Wright, Louis Sullivan and The Chicago School : Solomon R. Guggenheim Memorial Museum by Frank Lloyd Wright
Solomon R. Guggenheim
Memorial Museum, Frank Lloyd Wright, (New York, New York); 1943 - 1959; Frank Lloyd Wright, Louis Sullivan and The
Chicago School
Swelling
out towards the city of Manhattan, the Solomon R. Guggenheim Museum
was the last major project designed and built by Frank Lloyd
Wright between 1943 until it opened to the public in 1959, six months
after his death, making it one of his longest works in creation along with
one of his most popular projects. Completely contrasting the strict
Manhattan city grid, the organic curves of the museum are a familiar
landmark for tourists and neighbors.
The Building
Walking
inside, a visitor's first intake is a huge atrium, rising 92' in height to an
expansive glass dome. Along the sides of this atrium is a continuous ramp
uncoiling upwards six stories for more than one-quarter of a mile, allowing for
one floor to flow into another. The ramp also creates a procession in which a
visitor experiences the art displayed along the walls as they climb
upwards towards the sky.
The
rotunda’s inverted ziggurat deviates from the conventional approach to museum
design based around a series of interconnected rooms. Instead, visitors make
their way through the rotunda on the gentle slope of a continuous ramp.
Wright’s
open design affords viewers the possibility to see work on multiple levels at
the same time, offering an unparalleled perspective on the presentation of an
exhibition.
Although
the space within the building is undeniably majestic and the building itself
monumental, it was not perfectly successful in terms of function. The curved
walls of the interior were intended so that paintings had to be tilted
backward, "as on the artist's easel." This was unsuccessful because
the paintings were still very difficult to display because of the concavity of
the walls.
The Architect
Frank Lloyd Wright was one of the most prolific and
renowned architects of the 20th century, a radical designer and intellectual
who embraced new technologies and materials, pioneered do-it-yourself
construction systems as well as avant-garde experimentation, and advanced
original theories with regards to nature, urban planning, and social politics.
His visionary creations were strongly influenced by
the natural world, and he emphasized craftsmanship while embracing technology’s
ability to make design accessible to all.
Wright was also highly involved with the interiors
of his buildings, creating furnishings and other custom elements such as
stained-glass windows to enhance the overall design.
His most iconic structures, such as the Solomon R.
Guggenheim Museum in New York and Falling W ater in Pennsylvania, are now
designated as historic landmarks and attract visitors from around the world.
Sources
"Frank
Lloyd Wright's Masterwork, the Solomon R. Guggenheim Memorial
Museum." Architectural Forum, vol. 96, Apr. 1952, pp. 141-144.
Deitz,
Paula. "Contemplating the Void: Interventions in the Guggenheim
Museum." Architectural Review, vol. 227, no. 1357, Mar. 2010,
pp. 86-87.

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