Theatre de Odeon
Name: Chenfei Cao
Course:Arch 162- M 12
Theatre
de Odeon
One of the six
national theatres in France is the Odeon-Theatre de l’Europe, previously
referred to as the Theatre de Odeon (Hemmings
26).
The theatre is situated at 2 rue Corneille in the 6th arrondissement
of Paris on the left bank of the Seine, besides the Luxembourg Garden (Hemmings 28). The theatre has been
built and rebuilt three times. The original was built from 1779 to 1782 (Hemmings 47). The structure
possessed a Neoclassic design and was constructed in the garden of the previous
Hotel de Conde by Charles De Wailly and Marie-Joseph Peyre (Hemmings 81). The main purpose of
the building was to house the Comedie Francaise, which, unfortunately, opted to
remain at the Theatre-Francais which was
situated at the Palais Royal (Hemmings 106).
In 1782, Queen Marie-Antoinette inaugurated the theatre.
In 1799, a fire
burned down the theatre leaving nothing except for the exterior walls as well
as the saloon (Kruger 153).
It was rebuilt using the designs of Jean Chalgrin and reopened in 1808 (Kruger 169). The new structures
official name was altered to Theatre de l’Imeratrice, however, the majority of
people retained its previous name, Odeon.
In
1818, a second fire burned down the building completely destroying its interior
(Kruger 203).
Pierre Thomas Baraguay was responsible
for the redesign of the theatre, which still stands up to the present. The
theatre was opened for the third time in 1990 and was renamed as the “Theatre
de l’Europe” (Kruger 341).
The primary objective of changing the theatre’s name to “the Theatre de
l’Europe” was to encourage interactions and combined projects with stage
directors, playwrights, actors, as well as other personalities taking part in
the dramatic arts in Europe. This would allow the various European nations to
showcase new works as well as introduce new elements to the artistic heritage
of Europe.
Hemmings, Frederic
William John. Theatre and State in France, 1760-1905. Cambridge
University Press, 1994.
Kruger, Loren. The
national stage: Theatre and cultural legitimation in England, France, and
America. University of Chicago Press, 1992.
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