The Pantheon

Name: Chenfei Cao

Course:Arch 162- M 12

The Pantheon
The Pantheon, which is derived from the Greek language meaning the temple of all gods, was formerly a temple for the Romans. In present day, it is a church. It is one of the best-preserved buildings in the Roman history, simply because it has remained under continuous use from as early as the 7th Century. The Pantheon is circular with an entrance porch of ten vast granite columns arranged in two ranks (Henry 1977). Its circular nature, with a conservative porch front, is a distinctive characteristic in Roman architecture. However, it became a standard model when traditional styles were revitalized and thus has been copied continuously by other architects.
In the aftermath of the Battle of Actium (31 BC), Marcus Agrippa started an impressive building program: the Pantheon was a part of the complex created by him on his own property in the Campus Martius in 29–19 BC, which included three buildings aligned from south to north: the Baths of Agrippa, the Basilica of Neptune, and the Pantheon. It seems likely that the Pantheon and the Basilica of Neptune were Agrippa's sacra privata, not aedes publicae. This less solemn designation would help explain how the building could have so easily lost its original name and purpose in such a relatively short period of time. The present building was built by Roman emperor Hadrian and was reportedly dedicated in the 126AD. He reserved the original blueprints of Marcus Agrippa who had commissioned its building between 27BC and 14AD. The building was initially constructed by a flight of steps which were later abandoned as a result of the level of the ground being raised. It had bronze sculpture decorations on its pediments. According to Mark Wilson, the building had been designed for monumental columns of granite with shafts that would weigh approximately a hundred tons. However, the constructors made numerous stroppy modifications which possibly resulted in logistical problems at a particular period in the construction.
There are slots on the walls, which were apparently supposedly meant for erection of statues of some famous Roman leaders like Julius Caesar or perhaps for the statues of Roman gods (William 1976). The building also had big doors which were made of bronze and plated with gold. These were however abandoned in the 15th Century where the current doors, which appear unfit for the large door frames, were built.
Henry CE. Structural & Environmental Design from Ancient Egypt. New York: John Wiley and Sons, 1977.
William ML. Pantheon: Design, Meaning and Progeny. Cambridge: Havard University Press, 1976.

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