Other Fathers: Charles-Edouard Jeanneret-Gris and Ludwig Mies van der Rohe : S.R. Crown Hall by Ludwig Mies van der Rohe
S.R. Crown Hall, Ludwig Mies van der Rohe, (Chicago,
Illinois); 1950 - 1956; Other Fathers:
Charles-Edouard Jeanneret-Gris and Ludwig Mies van der Rohe
Ludwig Mies van der Rohe (or Mies, as he was
known) already had a distinguished career before emigrating to the United
States in 1937. When he accepted an appointment to head IIT’s College of
Architecture (at the time the Armour Institute of Technology) he also agreed to
design a master plan for the school’s campus.
Mies sought to create a style that reflected the
mechanical spirit of the age, and this drive permeated both the curriculum and
the buildings he created at IIT.
The Building

While the lower level
consists of compartmentalized rooms, the upper level occupies almost 50% of the
total area of the building, but only includes one large, open classroom.

Crown Hall was not among the first buildings Mies
built at IIT, but it is widely regarded as the clearest expression of his
ideas:
- The
suspended roof, without interior columns, created universal/infinite
space that could be endlessly adapted to new uses.
- His
use of off-the-shelf components, including standard glass panes and steel I-beams,
made the building economical to construct.
- Carefully-proportioned,
repetitive elements of the exterior convey both uniformity and precision
of construction.
- The design is seemingly simple. Mies once described the building as “almost nothing.”
The Architect
Born in Germany in 1886, Ludwig Mies van der Rohe
broke new ground with his architectural designs. He started out as a draftsman
before striking out later on his own.
During World War I, Mies served in the
German military. He then became a well-known architect in Germany, creating
such structures as the German Pavilion for the 1929 Barcelona Exposition.
In
the late 1930s, Mies emigrated to the United States. There he created such
well-known Modernist works as the Lake Shore Drive Apartments and the Seagram
Building.
His thirty years as an American architect reflect a
more structural, pure approach toward achieving his goal of a new architecture
for the twentieth century. He focused his efforts on enclosing open and
adaptable "universal" spaces with clearly arranged structural
frameworks, featuring prefabricated steel shapes filled in with large sheets of
glass.
He died in 1969.
Sources
Keegan,
Edward. Chicago Architecture 1885 to Today. New York : Universe Pub.,
2008.
Sexton,
Mark, et al. "Restoration of Crown Hall." Journal /
International Working-Party for Documentation & Conservation of Buildings,
Sites & Neighbourhoods of the Modern Movement, no. 56, 2017, pp. 64-71.
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